Sam Polizzi on Mixing Nickelback in Dolby Atmos Artist interview

18th September 2026

Sam Polizzi on Mixing Nickelback in Dolby Atmos

Sam Polizzi is a mixing engineer and producer specialising in immersive audio. Based in his…

LiquidSonics

The Sound of Science Fiction: Oscar Winner Ron Bartlett and Clint Bennett on Crafting the Sound of Dune, Blade Runner 2049, and Tron: Ares Artist interview

17th May 2026

The Sound of Science Fiction: Oscar Winner Ron Bartlett and Clint Bennett on Crafting the Sound of Dune, Blade Runner 2049, and Tron: Ares

When re-recording mixer Ron Bartlett and music editor Clint Bennett first worked together on Cabin…

LiquidSonics

How Greg Hayes Used Reverb to Create a Cohesive Space for Perry Mason’s Remote Jazz Recording Sessions Artist interview

31st March 2026

How Greg Hayes Used Reverb to Create a Cohesive Space for Perry Mason’s Remote Jazz Recording Sessions

Grammy and Emmy award-winning Greg Hayes is a Los Angeles-based recording engineer, music mixer, and…

LiquidSonics

An Inside Look at High-End Audio Workflows and Tech at Pinewood Post Production Artist interview

18th March 2026

An Inside Look at High-End Audio Workflows and Tech at Pinewood Post Production

LiquidSonics recently visited Pinewood Post Production’s newly refurbished Pressburger Theatre, sitting down with re-recording mixer…

LiquidSonics

High Fidelity Heavy Metal: Bringing Studio Reverb to Blind Guardian’s Live Sound Artist interview

2nd March 2026

High Fidelity Heavy Metal: Bringing Studio Reverb to Blind Guardian’s Live Sound

In the summer of 2025, power metal icons Blind Guardian wrapped their tour with a…

LiquidSonics

Celtic Reverb Rescue: How Robert L. Smith Reconstructed An Authentic Live-Venue Sound In The Mix Artist interview

24th December 2025

Celtic Reverb Rescue: How Robert L. Smith Reconstructed An Authentic Live-Venue Sound In The Mix

Robert L. Smith is a New York City record producer and recording engineer who works…

LiquidSonics

Inside Hans-Martin Buff’s Grammy-Winning Approach to Rooms and Reverbs Artist interview

17th December 2025

Inside Hans-Martin Buff’s Grammy-Winning Approach to Rooms and Reverbs

Grammy-winning engineer and producer Hans-Martin Buff has spent more than three decades inside other people’s…

LiquidSonics

LiquidSonics & Gearlounge at IMSTA FESTA Seoul 2025 News

16th December 2025

LiquidSonics & Gearlounge at IMSTA FESTA Seoul 2025

LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor Gearlounge, connecting…

LiquidSonics

Mixing Opeth in Dolby Atmos: Stefan Boman on Reverb, Clarity, and Creative Contrast Artist interview

25th November 2025

Mixing Opeth in Dolby Atmos: Stefan Boman on Reverb, Clarity, and Creative Contrast

Swedish mix engineer Stefan Boman has built a reputation for bringing clarity and dimension to…

LiquidSonics

Metal Meets Immersive: How Mark Gittins Crafts Spatial Mixes for Judas Priest and Dream Theater Artist interview

19th November 2025

Metal Meets Immersive: How Mark Gittins Crafts Spatial Mixes for Judas Priest and Dream Theater

From childhood experiments on a Commodore 64 to Grammy-nominated immersive mixes for metal legends, Mark…

LiquidSonics

How Bret Killoran Uses Propagation Clustering in LiquidSonics Immersive Reverbs Information

16th October 2025

How Bret Killoran Uses Propagation Clustering in LiquidSonics Immersive Reverbs

LiquidSonics recently introduced new surround clustered propagation modes in Cinematic Rooms Professional (v1.3.9), Seventh Heaven…

LiquidSonics

LiquidSonics Supports Germany’s Hip-Hop Community at Beatcon InformationNews

6th October 2025

LiquidSonics Supports Germany’s Hip-Hop Community at Beatcon

LiquidSonics sponsored Beatcon Berlin 2025, the premier community event for German rap and hip-hop production.…

LiquidSonics

The Art of Spatial Orchestration: Inside Justin Gray’s Groundbreaking ‘Immersed’ Album Artist interview

22nd September 2025

The Art of Spatial Orchestration: Inside Justin Gray’s Groundbreaking ‘Immersed’ Album

Justin Gray isn't just mixing in Dolby Atmos; he's composing for it. As one of…

LiquidSonics

macOS Tahoe 26 Compatibility Advisory Notes Information

12th September 2025

macOS Tahoe 26 Compatibility Advisory Notes

Testing is presently ongoing with Apple's macOS 26 Tahoe operating system. As issues are encountered…

LiquidSonics

From “Wall of Sound” to “Room of Sound”: Eric Horstmann and Tom Fountainhead on Metal Mixing in Dolby Atmos Artist interview

7th August 2025

From “Wall of Sound” to “Room of Sound”: Eric Horstmann and Tom Fountainhead on Metal Mixing in Dolby Atmos

In part one of our interview, Eric Horstmann shared the technical foundations of his pioneering…

LiquidSonics

Justin Moshkevich on Recording and Mixing the Music of Superman Artist interview

23rd July 2025

Justin Moshkevich on Recording and Mixing the Music of Superman

With four Grammy Awards and a filmography spanning from Guardians of the Galaxy to Watchmen,…

LiquidSonics

Eric Horstmann on Immersive Music Mixing: Lessons from 1100+ Dolby Atmos Mixes Artist interview

1st July 2025

Eric Horstmann on Immersive Music Mixing: Lessons from 1100+ Dolby Atmos Mixes

Eric Horstmann is a German immersive audio pioneer who has been shaping the landscape of…

LiquidSonics

Unlocking the Depth: Master VLF Reverb in Tai Chi Information

16th June 2025

Unlocking the Depth: Master VLF Reverb in Tai Chi

Why do some reverbs sound fuller and more realistic than others? Oftentimes, the secret is…

LiquidSonics

Mikko Raita on Mixing The Cinematic Score of Oscar Winning “Flow” Artist interview

9th March 2025

Mikko Raita on Mixing The Cinematic Score of Oscar Winning “Flow”

Mikko Raita is a Finnish audio engineer known for his immersive sound mixing on film…

LiquidSonics

VLF Reverb – Get The Low Down InformationUpdate

15th January 2025

VLF Reverb – Get The Low Down

What Is A VLF Reverb? Low frequency acoustics are essential for conveying realism in room…

LiquidSonics